language | Red Boots

source: RiDE Oakland

The room is dark and hazy. Pedals whir. Bright eyeballs and shiny teeth glow in the eerie blue light. I smile and say hello to everyone even though I recognize no one. I wonder if I’ve gone through the looking glass along the wall and stepped into an alternate world where the beat is heavy, the energy frenetic… and the language completely mysterious.

Before I know it, I join the one two rhythm and begin the ~~grueling~~ energizing ascent up an imaginary hill. The words I hear seem to have no meaning, and I wonder if all this activity is causing some kind of aphasic episode. Luckily my brain is smarter than I am. It refuses to acknowledge it doesn’t understand the enigmatic instructions, and by the time we reach down for the next quarter turn (um… what?) it is already decoding the cryptic phrases that only make sense right here right now:

Gimme a quarter turn. This does not mean with your body, your head, or any part of your anatomy. Whatever you do, please do not actually turn one quarter clockwise, counter-clockwise or any wise. It’s impossible to do that anyway since you are, hopefully, perched on your bike pedaling like crazy. One two one two one two. “Gimme a quarter turn” is the foundation of a spin class. It means reach down, grab the resistance knob, and turn it one quarter to the right to add resistance. And hope the instructor does not ask you to do it again. It’s a futile hope. Every quarter turn adds more resistance until pretty soon you’re pushing your bike up Mount Everest. Which is the point. It’s worth it.

Tap backs. Yep, that’s what he said. These sound elusive, confusing, and exciting: I’ll tap your back if you tap mine?! Or something. I’m going to leave it there. Some moves are better left unexplained.

Go to the hover. Right, now I’m really in an alternate world. Complete with Marty McFly, hover boards and that must be the easiest way up this hill. Almost. Not quite. What it means is squeeze those abs (more on that later), summon every ounce of strength you may or probably do not have, and hover hummingbird-style above your bike. Don’t stop pedaling! I promise, your thighs (and abs) will thank you one day. If they ever talk to you again!

Singles. I believe this is a shout-out to all the single people in the room. An invitation for them to do those awesome-looking push-ups and tap backs. Since I’m not one of them, I ignore this part. And pretend I don’t hear him say, “Gimme a quarter turn.”

Squeeze those abs. This is my favorite! The one I will never understand, no matter how loud the music. Because… how? How do you squeeze your abs? I’ve deduced that it does not mean grab the kangaroo-like pouch you will forever have after four pregnancies and give it a juicy squeeze with your hand. It has something to do with squeezing from the inside. The problem with this instruction is it assumes you have abs inside to squeeze. I don’t. See aforementioned kangaroo pouch. So I can’t. This is too much resistance.

I love this class. I love the loud music, the beat, and the tap backs. And also disco lights! I love the darkness (because the instructor can’t see that I’m not giving him a quarter turn. Sneaky!), and I love the vibrant, motivating trainer telling me I can do it, especially when I feel like I can’t. Which is almost every day. I believe him when he tells me. And then I do it. Mostly, I love these quirky phrases that really only make sense in this world. Because where else would you hear anything as fabulous as: Squeeze those abs!

This is a Finish the Sentence Friday post, inspired by the prompt, “I wonder…” Hosted by Kristi from Finding Ninee, and co-hosted by Kerri of (Un)Diagnosed and still ok and Jill from Ripped Jeans & Bifocals. I wondered what it would be like to love spinning. Now I know! With very grateful thanks to Deb C, Helen, Jeremy, Luci, Deb R and all the riders at RiDE Oakland. 3, 2, 1… ride.

Please excuse me. Here’s where I take enormous artistic license. Today is X in the A to Z Writing Challenge I’m participating in. Already a difficult letter to write on: according to OxfordDictionaries.com there are only 120 words in current English that start with the letter X. And there are no OPI nail polish colors named with an X-word. None. And the very creatively named OPI colors have been my inspiration for every piece I’ve written in this challenge, since A for Are We There Yet on April 1.

So now what? I’ve been dreading today. I’ve anxiously referred to it a couple times in previous posts – the lack of a color X. Stressed about it enough that my sister researched OPI X names (she didn’t come up with anything, but did offer creative suggestions). Even tried to palm today’s post off onto another writer. So not cool.

No X-named nail polish means no inspiration. Which means no writing. Means a day skipped. Means incomplete challenge. Means No. Fucking. Way.

So, merci Artistic License, described by Wikipedia as a “colloquial term used to denote the alteration of the conventions of grammar or language…” To complete this challenge and feel like a [lame, geeky] rockstar for doing so, I am going with the phonetic spelling of X – e x – as an acceptable substitute for X. Excuse moi s’il vous plait.

source: tripadvisor.co.uk

My French is very limited. The few words I’ve written so far are nearing the grand total of my vocabulary à la Francaise (does that even make sense?). Which is a shame because I love Paris and French things, and I adore listening to spoken French. I did take one year of preliminary French at university. I learned enough to haltingly decode the written version, and to say, “C’est tous? Oui. Voilà!” with a flourish in both my hands and my voice. (Meaning: “That’s all? Yes. There you go!” A common exchange to elegantly close a transaction in French stores).

When my father’s parents arrived in South Africa from Lithuania, some time in the 1930s, they knew no English. Only Yiddish. Spoken mainly by the Jews of Eastern Europe, Yiddish is a uniquely expressive hybrid of Hebrew and German, and many of its wonderful words have become part of everyday language in some communities – words like oy vey, chutzpah, mensch and schlep.

My grandparents eventually learned heavily-accented English, but to each other they still spoke only Yiddish. A marvel of the young human brain is its ability to absorb other languages, especially with regular exposure, and my father and his brothers quickly learned Yiddish too. All my memories of the interactions between my father and his mother are in that exotic, elusive language.

poem by Yiddish poet Edith Kaplan Bregman source: yiddishbookcenter.org

No doubt my grandparents took pride in their sons’ proficiency at their mother tongue, while they raised them in a land so geographically, linguistically and emotionally far away from their own. But perhaps at times they wished they had a way to communicate with each other privately, a way to discuss grown-up matters beyond their boys’ comprehension.

I imagine they felt this way, because I do.

My dismal French aside, Hebrew and Afrikaans are the two additional languages I can understand, read, write and speak with fluency. Neither are particularly useful in my daily life in California, but I have secret multi-lingual aspirations and love knowing other languages.

My children are learning Hebrew, and already understand a fair amount. They are learning it because they will all be having a bar or bat mitzvah and need to know how to read and write the language of our religion, and also because my husband and I have strong cultural and emotional ties to the land of Israel and want our children to be able to speak and understand the language of the country. If not fluently, at least the American/South African/Anglo version: crappy grammar, mixed-up tenses, and big pride at being understood in an ancient language rich in history and culture and spirituality. And fun slang.

But the language I keep secret from my children is Afrikaans. I will never teach it to them.

source: washingtonpost.com

Not like the South African foods I’ve fed them since they were babies: boerewors and biltong and jelly babies and rooibos tea. Not like the songs I’ve taught them over the years: Shosholoza and Ag Pleez Deddy. Not like the Springbok rugby jerseys I dress them in, or the very South African way they say “ja ma” (yes mom) when I call them, just like I answer my own mother.

I love to impart these small, significant, South African pieces of me to them and watch how they absorb and own them, because I too am raising my children in a land very far away from the one I was born into. While the cultural, linguistic and emotional barriers in 21st century San Francisco are nothing compared to what my grandparents encountered in the 30s, I am South African. And my children are not.

But Afrikaans I keep for myself. And for my husband. And for anyone else who can understand and speak that language besides my children.

It’s essential for me to have a way to talk to Ryan in a language the kids don’t understand – comes in handy when planning birthday surprises, or discussing progress at school, or any other sensitive topic. But also because my children have too much access to me. They read my email over my shoulder until I shoo them away. When they sense a conversation is quiet, they cluster around, strain harder to hear each precious word. The car’s bluetooth broadcasts phone conversations loud and clear to the very back of the minivan.

We are not trying to hide it from them. But there are issues, problems, family and world affairs that are not necessary for them to hear. That they do not have the ability to process even if they do hear. And so I like to keep it private, when I can.

Afrikaans is not a language I grew up speaking. It’s not my language, the way English is. I learned it at school from first grade, heard it on TV, read it in magazines. I live in a town 10,500 miles away from where I learned Afrikaans: I don’t hear it anymore, I hardly ever speak it, and its fluency is slowly fading from my brain. More often a Hebrew word will surface when I’m looking for an Afrikaans one. But the longer I am away from South Africa, the tighter I hold on to it. My linguistic license.

Verskoon my kinders, this conversation is private. Excuse moi!